Friday, May 18, 2018

Shorty Pencil Sculptures

This is our first ever 3-D art project for the Art Room. I've kept my distance from sculpture for some time, since the Art Room is not well suited for 3-D work. Small work surfaces, wobbly tables, and no direct source of water in the room are real inhibitors for projects requiring extra elbow grease and water. However, I came across this sweet sculpture project by the art teacher Cassie Stephens, and I knew right away it was something we could manage, and fall in love with, in the Art Room.

You can find Cassie's Youtube tutorial for these pencil sculptures here.

8-11 year olds

8-14 year olds

6-7 year olds




In preparation for this project, I started by saving toilet paper rolls, which add up pretty quickly when you have kids. I ordered a box of plaster from Amazon, and that is pretty much all we needed to get this project off the ground. With the exception of the metal ferrule, I had all I otherwise needed. Cassie uses metal tooling, which I could not find anywhere, so I opted for those silver coated take-out lids. I cut them intro strips, and the kids embossed and debossed these using a blunt pencil. Not my first choice, but you gotta make due with what you got, and I think they all looked super believable as metal when done anyhow, so win-win!

This project took us two 90-minute sessions, though we had a bit time left over at the end of each class, so it could be done more quickly if time is an issue.

Cooperative taping
Process

Day 1:

On our first day, we discussed sculpture: what is it, where might we find sculptures, have we made sculptures before?
Then I intruded the new vocabulary word: armature (the inner structure of a sculpture). And with that we got to work building our armatures. Using cardstock, we cut out half circles. For efficiently and uniformity, I prepared a standard template for this purpose. We notched and cut this half circle out, and folded it into a cone. Tricky, but manageable with some practice. Cones were secured with artist tape. I had kids work in pairs to help each other hold and tape the cone, and rip the tape. Not easy to do with only two hands. Next up: we secured our cones to the toilet paper roll, making sure the cone was not tilted. Again, kids helped each other with this step.

*Note: Ripping tape proved more difficult for some than others. Some kids were tending toward cutting the tape with scissors, but I quickly confiscated the scissors. Why? Because it required even more hands, is actually much less efficient, and does not teach us how to.... tear tape. I demonstrated how to 'pinch' left and right thumb and pointer fingers together at the fingernails on the tape, and tear. Strips of tape could be 'stockpiled' on the edge of the table to speed up the taping process. These guidelines quickly solved the tape tearing issues.

Once our armatures were complete, we began covering them with plaster. I precut the plaster into rectangles and wide strips. We dipped in water, held the plaster strip carefully with one hand so it hung from our hand like a curtain (and did not fold in on itself), and with thumb and pointer finger on the other hand, we smoothed off the extra water. We then carefully draped pieces on our armature and smoothed out any wrinkles or folds. I had the kids think of it like ironing, or spreading a blanket on your bed. No folds, wrinkles or lumps allowed. You wouldn't want a lumpy pencil, would you now?
Once pencils were all covered in plaster, and the plaster was smoothed down, we laid them on the rack to dry until next class.

Table surfaces were cleaned up and hands were washed. Then on to our ferrules!





We looked at real pencil ferrules and discussed embossing and debossing. We placed our strip of silver on top of foam sheets, and using a ruler, we began adding designs on both sides of our ferrule. I demonstrated how I might draw a 'ladder', so two parallel lines on either edge of the ferrule with horizontal dashes extending between them (deboss). Then turn it over, and add circles or dots in between each horizontal line (emboss). Students created their own unique designs though. We used blunt pencils and pressed hard enough, or went over each design several times, so the design would show though both sides.
Making our ferrules
Embossing our ferrules


Completed embossed and debossed ferrules
Plastered sculptures

Day 2:

The next session was all about careful painting. Surprisingly, this took nearly the full 90 minutes, because our focus was on painting our pencils with precision, making sure no finger prints of smudges got on our pencils, and that the final look was meticulous and clean. Striving for this clean finish required periodically drying our paint with the blow dryer and cleaning our hands with baby wipes in between painting steps. In many cases, we had to go back over our pencil and address smudges with another coat of color.  We used two sizes of flat brushes, which helped us paint clean straight edges separating our colored sections (eraser, pencil section, wood section and graphite). For the graphite tip we used an even smaller flat brush. When we were all happy with painting, we added the ferrules using a glue gun. The kids held the ferrule in place and I glued.

Painting our pencils

This was a super fun project and proved totally manageable despite the limitations of the Art Room. And students were downright giddy about their pencils sculptures and super proud of how beautifully and neat they turned out! All the extra effort paid off!

8-11 year olds


6-7 year olds





Monday, May 7, 2018

Paper Collage Pets - Adult Class





Paper. Possibly my favorite material.

We do a lot of painting and drawing in the Art Room, but I always like to mix it up once in a while with some collage projects. I feel that paper projects can take us out of our comfort zone and lead us into new and exciting territory. It's more tactile, almost sculptural, and can teach a thing or two about layering, balance, harmony and texture.

I've been eyeing the paper collage artwork of artists on Pinterest for ages, (Laura Yager and Karla Schuster, to name a few) and wanting to do a similar project with my adults. After finally getting around to doing my own teacher sample, and assessing a bit the difficulties and challenges of this project, I felt it was time to introduce it to my adult class. This project was completely new and different for my students and pushed them way beyond their comfort zone, but as usual, when pushed to the limit, my adults delivered beautiful work they were super proud of.

Teacher Sample. "Freja"

Gridding and drawing transfer:
To begin, students each brought in a black and white A4 size (printer paper size) portrait photo of their pet. We had cats, dogs, horses and pigs in the mix! Students gridded their portrait photo, and then gridded a large A3 size (roughly 42x30 cm) acrylic paper. They carefully transferred their photo grid by grid with pencil for an accurate drawing of their pet.





Gridded "Freja" photo
"Freja" drawn using grid method






















Value analysis:
Next, students were told to analyze the different values, and value relationships in their black and white photo. This project is ALL about recognizing the subtle changes in value, their differences and similarities and the relationship of values. Understanding this will allow us to collage papers mimicking these same relationships. For example, the nose might be the darkest value on the animal, and this same value might also be under the ear, or under the collar. To stay true to the value relationships, we might use the same dark collage paper (or one of similar value) to represent these areas on our animal. Similarly, a very light value at the top of the head, on the cheek and on the shoulder might be represented with the same or a similar valued collage paper. Maintaining the value relationships we see in the black and white photo is key to giving our animal its accurate dimension and structure. Tough concept, but my students all got it.

Underpainting
Underpainting:
As always, I like to begin with an undercoat, or underpainting. This allows hints of color to peek through the collage paper bits, and just adds more depth to our painting. I painted the whole paper in ochre, then went over the negative space area around my dog in a dark green.

Collaging:
The key to this project is in the diversity of papers available. We used old book paper in various stages of yellowing, atlas paper and maps, dictionaries, gridded and graph paper, sheet music, painted paper (we used old painting place mats), stamped and printed paper, plain colored paper, patterned decoupage paper, neutral paper, colorful paper, bright and dark paper. Students chose papers according to their preference but with attention to their value relationships. Some chose to limit their paper types, for better balance and harmony.
Then the tearing began! You could start dark to light, light to dark, or section by section. It all works.
We tore bit by bit, and pasted as we went using acrylic gel medium and a flat brush. Pieces were pasted side by side and overlapping. Students were asked to consider symmetry (since working with faces, symmetry is important), so if using a patterned blue paper over the left eye, we might use this same paper over the right eye (also good for balance and harmony).

Work in progress
Finishing touches:
Once all values were created using paper, we worked on our small features and details. These were in large part also done with paper, but we also used a fine detail brush to help us get the accurate fine details right in the eyes, mouth and whiskers.

Background:
Finally, we assessed the colors and textures in our piece and decided which color background we wanted. We already has a preliminary undercoat, and some chose to allow this undercoat to slightly shine through the second coat of background color (good for texture and interest). Others chose a more flat, even and opaque application of a new color.

Wow, these were super intense but such a joy. My students loved the ritualistic act of tearing, tearing, tearing. It was truly meditative, yet we still had to remain finely tuned to the smallest details.
A perfect balance, I think!

And the best part? These have personal significance to my students, since each animal is or was at some point in their lives, their beloved pet (minus the piglet)!